B. O’Malley’s Oscar Picks 2011

Best Picture To Blame it On
Rio

Best Superhero Picture With “Green” In Title
Thor

Best Picture While Untangling Your Balls
The Adjustment Bureau

Most Gymnastic Witches
Jumping The Broom

Best Movie Without Her Sisters
Hanna

Best Sex Tape
Midnight In Paris

Dick and Balls Award
Suckerpunch

Longest Movie
30 Minutes or Less

Most Profitable Trade
Water For Elephants

Ric Ocasek Award
Cars 2

Title Most Lacking the Word “Manilow” At The End
Martha Marcy May Marlene

Biggest Audience Consisting of Chicks Who Watched Game of Thrones
Conan The Barbarian

Least Dangerous Method
A Dangerous Method

Best Film About A Horse During Wartime
The Iron Lady

Best Picture Based on the Side of A Sheet of Paper
Margin Call

Best Buddy Movie
Human Centipede 2

Most Flammable
Straw Dogs

Tightest Feet In A Film or Performance
Footloose

Best Picture That Almost Was
We Leased A Zoo For The Summer

Best Cocainiana
Colombiana

Least Authentic Picture Featuring Steel
Real Steel

2011 Worst Eyesight Award
50/50

Sexiest Film
The Girl With The Dragon Tattoo Spent A Week With Marilyn

2011 Pissing On The Bloated Corpse of the Film Industry Award
New Year’s Eve

Most Original Idea from Studio Head or Development Executive
The Smurfs

Best Introduction to 19th Century Literature
Sherlock Holmes 2 – A Game of Shadows

Best Rhyming Title
Judy Moody and Her Bummer Fuck of a Fright Night Remake

Best Western Featuring Aliens
Best Western Motor Hotel, Roswell NM

Best Film With Steven Spielberg Directing
Super 8

Most Comfortable Plane Ride
X-Men –  First Class

Best Film Featuring Cute Talking Puppets
Glee: The 3D Concert Movie

Picture With Most Impossible Mission
Larry Crowne

Dairy Association Award for Outstanding Milking of a Franchise
Tyler Perry’s Madea’s Big Happy Family

Most Powerful Pieces From the Board Game Stratego
Tinker Tailor Soldier Spy

Best Picture
Zookeeper

The Hollywood Cheat Book

The Hollywood Cheat BookMy first official book, covering all the mistakes I’ve ever made as a filmmaker so YOU can REPEAT THEM, step-by-fucked-up-step.

Covering screenwriting, directing, producing, networking, and even ACTING.

Fun shit like how to get your script past the grunts and lackeys and read by the boss as quickly as possible, how to hire a casting director and use their connections to cast a name actor in your film, how to keep your DP from taking control of your film, etc. etc.

The book documents all my first-hand FAILS that you can’t learn at film school.  That is, it takes getting out into the world and making shitty movies like I did to learn this stuff, but this book gots it all in the black ‘n’ white. For reals.