Top 10 Reasons to Attend the AUDIE & THE WOLF Premiere Thu Aug 14

My Dearest Friendos,

In the interest of taking a break from bludgeoning you with bulletins about the AUDIE AND THE WOLF PREMIERE, but not really, I offer you the top ten reasons why you should come see the World Premiere of Audie & The Wolf on Thursday August 14 (details at http://audieandthewolf.com)

TOP 10 REASONS TO ATTEND THE AUDIE & THE WOLF WORLD PREMIERE

10. The Downtown Film Festival – Los Angeles is making its debut. This is the first festival ever for the DFFLA. You get to be a part of Los Angeles history and help make it happen. Also, you can put this on your resume. But not really.

09. The party afterwards is sure to be a saucy, delightfully shallow endeavour. Come get loaded and pretend you’re not one of the shallow ones.

08. Boost your street cred and take the subway to the theater. Super close! Walk 2 blocks and you’re there. Perfect for all you health conscious fucktards who think exercise is good for you.

07. Free alcoholic drinks in the theater lobby before the show, courtesy of the festival sponsors and your liver.

06. This is a one-time event. A film only premieres once. You’ll be able to say “I was there.” Or “I was there. And it sucked. Holy fuckballs, did it suck.”

05. The film will be screened in High definition HDCAM projection with 5.1 surround sound. So it’ll look like a real movie. You know – the kind of movie you’ll fork over $14 for at the Arclight this Friday night starring Jack Black which will hit dvd and pay-per-view in 12 minutes and no one will remember in 13.

04. You can meet the stars of the movie, live in person, and harrass them for autographs, real estate, or financial advice.

03. It’s playing at a beautiful old-fashioned MOVIE PALACE. http://losangelestheatre.com to see what I’m talking about. This place was once saved from ruin during the Depression by a donation from none other than Mr. Charles Chaplin himself. (He’s the funny movie guy who looked like Hitler.)

02. The only thing on TV you’re missing that night is the Olympicsand Big Brother, and Ugly Betty. And Assmasters 12, if you have adult pay-per-view.

01. 100% of all ticket proceeds go to the Retarded Childrens’ Poker Fund. Yes! It’s true! Nothing beats a helmeted Royal Flush.

And yes, these will probably be repeated via another email blast. Get on the list at http://audieandthewolf.com

Shamelessly,

B. Scott O’Malley

B. O’Malley’s Oscar Picks 2007

Best Actor
Chuck D., The Second to The Last King of Scotland

Best Impersonation of The Queen of England
Peter O’Toole, Venus

Best Gun Movie
Volver

Best Drive-In Movie
An Inconvenient Truth

Best Sequel
United 93

Best Pharmacists
Anna Nicole Smith

Best Bad German Movie
The Good German

Best Picture Based on Fractions
Half Nelson

Best Why
Because I Said So

Best Fishy Beard
Kevin Smith, Catch and Release

Best Picture, PMS
Blood and Chocolate

Best Self-Reflective or Existential Conversation Scenes in Italian Restaurant
Rocky Balboa

Best Film Based on a Cleaning Product
tie: Eragon and Flushed Away

The Best Movie A Bunch of Dead Jocks Could Inspire
We Are Marshall

Don’t Know How They Did It, But They Made Motown Completely Gay Award
Dreamgirls

Best Zombie Movie
A Prairie Home Companion

Best Thinly-Veiled Rehash of Blackboard Jungle, Stand and Deliver, and Dangerous Minds
Happy Feet

Best Voicemail I’ve Ever Received
Snakes on a Plane

Best Drink Coaster
Lady In The Water DVD

Best Performance by a Performer Getting His or Her Balls Tortured
Daniel Craig, Casino Royale

Best Banana Boobies
Apocalypto

Why Americans Still Hate The French Award
Parfum – Le Histoire d’un Meurtrier

Best Donkey Fucking
Garfield: A Tale of Two Kitties

Best Picture Featuring a Coppola Buried in Rubble
Marie Antoinette

Boppin’ At The Glue Factory (2005)


I co-wrote and produced this feature, about a junkie nurse at an old folks home, starting in 2000 when I teamed up with Jeff Orgill to help finish the script which he’d started with Hector Maldonado several years previous.

The film was the result of just saying “Fuck it, let’s go!” after years of hemming and hawing about name actors this, million dollar budget that, etc.

We shot at an abandoned mental hospital in Norwalk that had been the location for many Hollywood films. The film came within an inch of shut-down nearly every single day we were shooting, and, despite Orgill’s good-natured approach to filmmaking, was often rife with petty bullshit and drama, from jockeying jackoff grips on the crew whose egos outsized their abilities, to knuckledragger know-nothing art department people being promoted to producer for god-knows-why.

Of course, that’s not to say that the film didn’t have its share of awesome people aboard. From Geoff Chang, veteran AC who came aboard for a few days gratis in order to train up a number of our greenhorns, to the stellar soundguy Tom Curley, to whip-smart, intuitive production assistants like Ryan Jordan, and grips like the ever-handy Kevin “Penn” Williams.  It was folks like these who made the shoot fun, despite the pinheads.

As an optimist and the kind of guy who wants to hear many opinions before he finalizes a cut, Orgill spent, in my opinion, way too much time listening to folks who had suggestions on his or Editor Chris Miglio’s rough cuts.  One of Jeff’s biggest assets is his “big-tent” mentality, which is to say, he likes to get notes from whomever he can, because he’s of the opinion that “Hey, good ideas can come from anywhere.”  Unfortunately, in doing so with Boppin’, he often wasted a shitload of time taking notes from complete, insufferable dullards.

But despite a few initial delays in post, Orgill set aside the notes and the committees and made the film he wanted to make, and now it’s finally found its way to several great film festivals and other outlets.

The final result?  In my opinion?  A really solid, fun little indie feature which I’m hella proud of co-writing and producing.

More information and even the film itself can be found at the film’s website.

Director Jeff Orgill
Screenplay by Jeff Orgill and B. O’Malley
Producer B. O’Malley
http://boppinatthegluefactory.com/